PINK FLOYD
A Momentary Lapse Of Reason


 

SIGNS OF LIFE

LEARNING TO FLY

THE DOGS OF WAR

ONE SLIP

ON THE TURNING AWAY
 
 

YET ANOTHER MOVIE*

Round And Around

A NEW MACHINE PART 1

TERMINAL FROST

A NEW MACHINE PART 2

SORROW*


 

 

PINK FLOYD
A Momentary Lapse Of Reason
 

Produced by Bob Ezrin & David Gilmour

David Gilmour: Guitars, Vocals, Keyboards & Sequencers
Nick Mason: Electric & Acoustic drums, Sound effects
Richard Wright: Piano, Vocals, Kurzweil, Hammond Organ
Bob Ezrin: Keyboards, Percussion & Sequencers
Tony Levin: Bass Guitar, Stick
Jim Keltner: Drums
Steve Forman: Percussion
Jon Carin: Keyboards
Tom Scott: Alto & Soprano Saxophone
Scott Page: Tenor Saxophone
Carmine Appice: Drums
Pat Leonard: Synthesizers
Bill Payne: Hammond Organ
Michael Landau: Guitar
John Halliwell: Saxophone
Darlene Koldenhaven: Backing Vocals
Carmen Twillie: Backing Vocals
Phyllis St. James: Backing Vocals
Donnie Gerrard: Backing Vocals

Recording and mixing engineered by: Andrew Jackson
Assisted by: Robert (Ringo) Hrycyna
with: Marc Desisto, Stan Katayama, Jeff Demorris
Additional Re-mixing: James Guthrie*

Special thanks to Anthony Moore, Phil Manzanera
Langley Iddens, Tim Daly & Mike Wennink

Studios
Astoria, Hampton
Britannia Row Studios, London
A & M Studios, Los Angeles
Can Am Studios, Los Angeles
Village Recorder, Los Angeles
Mayfair, London
Audio International, London
Also thanks to Winston Johnson at Cama,
Gary Barlogh at Producers Workshop, Air London

Art Direction: Storm Thorgerson
Front Cover Concept: Storm Thorgerson and Nexus
Graphic design: Andrew Ellis, Icon, London

Photography: Robert Dowling
Production: Lance Williams, Richard Straw
Portrait: David Bailey
Additional photoghraphy: Robert Mort
Artwork: Mekon

Spherical sound by: Tom Jones, Ken Caillats, Sarah Bruce
Recorded by: Guy Charbonne, Le Mobile, Los Angeles
Additional sound effects by: Andrew Jackson
General technical & Musical instrument Supervision: Phil Taylor
Mastered at: Mastering Lab & Precision Laquer
Pink Floyd Management: Steve O'Rourke, EMKA Productions, London

This Album was recorded digitally, with the exceptionof the acoustic drums and bass guitar
which were recorded analogue. Dolby SR noise reduction was used for mixing: mastered direct to metal